NAISA, FESTIVAL SOUND TRAVELS
APPEL A PROJETS SONORES
Pour commercer, à signaler un événement d'importance sur le sol canadien, le festival Sound Travels qui se déroule en ce moment même à Toronto.
Dommage que le Canada soit si loin ! Si certains ont la chance d'y passer en cette période, ne ratez pas l'événement, vos oreilles vous en voudraient à vie ...
Extrait du programme
Sound Travels highlights
Electroacoustic Symposium Concerts
Aug 4 & 5, 8 pm
Expansive Spirits Concert
Aug 6, 8 pm
Aug 7, 8 pm
Travels Intensive Concerts
Aug 13, 8 pm
SQUARE, A NEW MUSIC MARATHON CONCERT
Sep 25, 2-9 pm
Synthecycletron by Barry Prophet
July 18 to Oct 15 26 - 24 hours, 7 days a week
by Rose Bolton
July 23 to Sep 25, Fridays and Saturdays only
plus 6 - 9pm August 4,5,6,7,13
Portraits by Stefan Rose
July 23 to Sept 25
Gallery curated by Darren Copeland
July 23 to Sept 25
Listening by Satoshi Morita
August 4 to 7, Wed-Fri 6-9pm and Sat 9 am to 1 pm
August 13th 6 - 9pm, Aug 14 9am - 1pm
Workshops, Intensive and Symposium
All about the
Synthecycletron by Barry Prophet
July18, 2 pm
Toronto Electroacoustic Symposium
Aug 5 to 7, 9-5 pm
Sound Travels Intensive
Aug 10 to 13
Sound as Art Youth Workshop
Aug 16 to 20, 10-5 pm
July 18, 1 pm, FREE
July 23, 30, August 20, 27 and Sept 25 @ 12 pm, FREE
APPEL A PROJETS CREATION SONORES 2011
Je fais suivre ici (en anglais), l'appel à projet lancé par l'organisme canaduien NAISA (New adventure In Sound Art), concernant un festival en 2011.
Une bonne partie de la création sonore (audio comme plastique) peut postuler à cet appel et participer, pour les heureux lauréats, à l'un des plus intéressants festivals d'art sonore.
Le thème et autour du temps, vaste programme. Alors si vous vous sentez le temps...
Current Calls for Submissions
2010 Calls For Submissions on the theme ABOUT
Radio Art, Electroacoustic Music/Sound Art,
Videomusic and Installation Art
September 30, 2010 Deadline
2011 marks the 10th anniversary of NAISA’s Deep Wireless and SOUNDplay festivals and so it is an opportunity for NAISA to both reflect on the past and look ahead to the future. With this in mind, New Adventures in Sound Art invites artists of all ages and nationalities to submit works on the theme ABOUT TIME for consideration in New Adventures in Sound Art’s 2011 programming for its annual Deep Wireless, Sound Travels, and SOUNDplay festivals presented in Toronto, Canada. Artists may submit works in one or all of the following four categories (Note: please send separate submissions for each entry).
Preference in programming will be given to works that respond in some way to the theme ABOUT TIME. Individual interpretations or variations on the theme are encouraged, but should be realized with sound as the primary component.
Artists may submit works in one or all of the following four categories (Note: please fill out one on-line submission for each entry):
1) Radio Art
2) Electroacoustic Music & Sound Art
4) Installation Art
1) Radio Art (for Deep Wireless)
The Radio Art category is for works conceived for radio or that use radio and other wireless technology in their creation and that play with the medium. Special consideration will be given to 1 minute radio art pieces for broadcast as well as 1 page proposals for collaboration on translocal and network performances.
Pieces will be selected for broadcast within Canada and on several international radio stations in May 2011 as part of the Deep Wireless Festival of Radio and Transmission Art.
Both Canadian and International radio art submissions will be considered for inclusion in the following:
-The Deep Wireless 8 radio art compilation CD
-The Radio Art Interventions (1 minute pieces played guerilla-style on radio stations during the Deep Wireless festival)
-The Radio Art Salon - a listening gallery of radio art works exhibited for the month of May.
2) Electroacoustic Music & Sound Art (for Sound Travels & SOUNDplay)
The Electroacoustic Music & Sound Art category is for multi-channel and stereo works conceived for concert performance or presentation in the Sound Travels Festival of Sound Art and SOUNDplay festivals. Preferred formats for performance presentation include 5.1, octaphonic, 12 and 16-channel formats in both acousmatic (tape), live, and mixed formats. Please indicate in the notes the intended format of presentation and any required instrumentation or specialized equipment.
3) Videomusic (for SOUNDplay)
The Videomusic category is for works that explores non-narrative abstraction with equal emphasis on sound and image. Submitted works will be considered for video screenings with either stereo or multi-channel playback for screenings in either a performance venue or a small-size gallery alongside other works selected from this call for submissions.
4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay)
Installation proposals of previously realized works for site-specific and gallery installations will be considered for presentation as part of Deep Wireless, Sound Travels or SOUNDplay. Site-specific works can be for indoor or outdoor locations. Works can use multichannel or single channel playback and may incorporate any number of media, but must feature original sound as a primary element.
Preference will be given to small to medium scale interactive works that appeal to all ages. Please note that almost all of NAISA's exhibition locations are multi-use venues and often require works to be moved and re-positioned on non-exhibition days. Also attach a list of the necessary equipment required to mount the installation and which of these items can be supplied by the artist. Submissions should include audio, video or audio-video documentation of previously realized versions of the work.
Please complete in full the online submission form by midnight on September 30, 2010 and submit by post your submission
materials (postmarked September 30, 2010) to:
New Adventures in Sound Art
601 Christie Street #252,Toronto, ON, M6G 4C7, Canada.
Once you have completed the on-line submission, you will be provided with a submission number. Please include this number, along with your full name, when mailing in your CD or DVD. For multichannel works, please include a stereo reduction for reference purposes only. For video works, please include a DVD copy for reference only. Screening and multi-channel masters will be requested later if the work is to be programmed. For installation works or performance proposals, please attach a list of required equipment with indication of equipment that can be supplied by the artist.
Materials will not be returned. Please don't send original copies.